Keeping Fit to Keep Ahead

Black Lives Matter graffiti in London Fields Hackney

The repetition of burpees provides London Fields with a constant rhythm of pulsing bodies. Each movement part of a larger pattern. Subliminally, a police van creeps past a mature horse chestnut tree. A flare of sunlight, reflected from an opening door on the balcony of the tower block overlooking the park, seared a torso on to my retina. An intense cyan afterimage outlines a sinuous muscular physique, suspended impossibly by a single taught calf muscle, one foot pointing down his inner thigh, toes resting just above the knee. Naked except for a pair of dusty earth coloured shorts. Hands together above his head with fingers pointing to the sky, arms bent centring his head within a perfect geometry. Long hair tied in a top knot with strands falling forward.

The police van gently passes a pentagon of mats carefully arranged on the grass. Five white women move between warrior poses in exact choreography. An officer lazily scans the park from the back seats of the van, a wire dangling from his ear. The Women shift pose, revealing perfectly toned bodies under various shades of lycra. The leader is a serene older woman with piercing blue eyes wearing a red scarf tied around her head to keep her greying golden hair in place.

Two blonde children are receiving private tennis coaching on the council owned court. A black face peers out of the white paper hood of his disposable overalls, his hands covered by gloves, one holding a bucket of Henna Red paint and in the other a brush. He is painting out graffiti that appeared on the back of the tennis court changing rooms less than an hour before. His supervisor stands behind him wearing a green sweater with Park Ranger inscribed on the back in ochre yellow. I’m distracted by the rapid flicking of hands in the distance. A woman in a brown and orange floral floor-length maxi dress is lunging forward, thrusting her arms out and flicking her wrists. She straightens up then repeats. Her seven-year-old daughter sits on a yoga mat next to her, squirming with boredom, hair neglected and unkempt.

The police van blocks them from my vision. Its high sides slowly crawl past. Its occupants arrogantly stare. It comes to a halt in front of an older Jamaican man sitting on one of the park benches. His dreadlocks, greying at the roots, are wrapped inside his hat. He is one of the elders. Before the virus, he would come to sit on this bench every Saturday to watch the cricket. The side door slides open and five officers climb out. They circle the man, a notebook is opened and a fine given. He is asked to leave.

There is a loud crack of a tree branch. A personal trainer, with swarthy white skin and a small moustache, wearing a fluorescent orange hat, is attaching a set of wooden Gymnastic Rings to one of the horse chestnut branches. His latest client has just arrived. The Police van retreats across the park.

Limehouse a Digital Expanded Game of Psychogeography

The border that separates the physical world and the digital realm has been breached. We can no longer speak of a clear distinction between analogue, carbon-based, offline entities and digital, silicon-based, online representations. Digital technologies and the physical space of cities have converged. This process is variously referred to as pervasive computing, the Internet of Things (IoT), ‘everywhere’, Ambient Intelligence and ubiquitous computing.

CODED GEOMETRY believes that the most urgent task of contemporary psychogeography is to carry out a sustained investigation into the role digital technology, algorithms and machine learning play in the structuring and restructuring of space-time. We have commenced our research in Limehouse through a digital expanded game of psychogeography.

CODED GEOMETRY – Presentation
‘Limehouse a digital expanded game of psychogeography’
16th February 2020
From 12.45 pm
East London location
Contact info@codedgeometry.net for the venue

Dark Fibre Network – Drift

Under the streets of East London runs a network of dark fibre.

Map of the London Dark Fibre Network

The Dark Fibre Network Drift – will walk the route of underground fibre-optic cables linking seven of the core data centres that form the London Internet Exchange.

The walk will include spoken word by Dr Robin Bale and experiments using software-defined radio to hack the sonic world of machine to machine communications carried out by CODED GEOMETRY.

Meet: 12:00 Sunday 27 October 2020

Chrisp Street Market,
Market Square,
Poplar,
London,
E14 6AQ

Giant Invisible Pulsating Electromagnetic Sphere Hovering Above My Orange Settee

orangesettee-web

The emergence of the digital city can be traced back to the end of 2003 and the beginning of 2004. WIFI was just starting to have an impact on peoples’ everyday life. The 802.11g standard had been launched giving WIFI faster speeds and enabling coverage over much greater distances. This was greeted with a utopian political movement, led by activist groups such as YouAreHere [1] in London and free2air in Berlin. Their aim was to build and mesh local area wireless networks to provide communities with Open Distributed Public Wireless (ODPW). YouAreHere set itself the goal of developing a wireless backbone reaching from Limehouse to Hackney Central. They constructed a series of masts at strategic sites along the route. One of the most significant masts was mounted on the top of Limehouse Town Hall, which also housed the headquarters of the London Psychogeographical Association (LPA) [2].

At the same time, third generation (3G) wireless mobile telecommunications technology was rapidly being introduced to providing faster internet speeds for mobile devices. In contrast to the optimism of the ODPW activists, the introduction of 3G was met with anxiety, paranoia and fear. The roll-out of 3G technology involved the siting of a network of mobile phone masts throughout the country. In East London, the rooftops of high rise buildings on working class estates were chosen to locate the majority of these masts. Around the country, residents had begun tearing down mobile-phone masts, as public concerns over the untested health impact of the radiation they emit hit national headlines. The Telegraph reported [3] that in one week as many as four masts were destroyed in a campaign to stop them being placed on top of, or close to, peoples’ houses. Working class people accused the mobile phone companies of using them as guinea pigs. In Hackney, a group of Kurdish activists chained themselves to a mast while it was still on the lorry delivering it to be installed on the roof of their block. In London Fields, one 90 year old resident of the Wayman Court estate refused to move from a site adjacent to his flat that had been given planning permission for a mast.

In this febrile atmosphere of utopianism and paranoia, it was clear that the construction of wireless and mobile networks signalled a significant transformation of the landscape. I purchased an A-Com receiver used by telecoms engineers and started to listen to the new world of data transmissions. The crackle of white noise greeted me as I switched it on. I noticed a distant pulsing signal that drew me towards it. I was in the front room of my flat and its intensity increased as I started to approach my settee. The sound throbbed with metallic bass tones. I moved my receiver towards the settee then back again. The signal was surprisingly spatial. I carefully traced its shape revealing an invisible pulsating electromagnetic sphere hovering above my orange settee. From that moment, I saw the city as overlaid with invisible lines, shapes and structures, a coded geometry of machine to machine interactions beyond our perception.

As the UK prepares to introduce 5G cellular network technology, I am struck by an overwhelming sense of Déjà vu. Time seems to be punctured by accelerating epochs of pseudo progress X to the power n. 5G transmissions are broadcast on frequencies between 3.4 – 3.6GHz. These waves travel shorter distances through urban spaces, so 5G networks require more transmitter masts than previous technologies, positioned closer to ground level. The construction of the 5G network has sparked viral conspiracies, renewed health fears and an angle grinder attack by residents of one working class estate in Manchester. The next generation of utopian media artists are already presenting critical 5G projects at media arts festivals.

sdr1-web

CODED GEOMETRY is scanning the 3.4 to 3.6GHz spectrum using new antenna designs connected to Software Defined Radio (SDR). We are conducting research analysing and mapping the structures, invisible geographies and ambience this technology is bringing into being. Researching the spatial aesthetics these new circuits of digitality are bringing forth. Asking how they will shape our understand and experience of space and spatiality which are already inscribed by, but not reducible to, digital systems.

_____________________

[1] For more information about YouAreHere see – http://www.metamute.org/editorial/articles/network-people

[2] The LPA was originally suggested by the British artist Ralph Rumney in 1957 and reinvoked, in the early 1990s as the LPA East London Section. For more information see – https://maydayrooms.org/archives/the-london-psychogeographical-association/

[3] See Daniel Foggo, 30 Nov 2003, Protesters topple mobile phone masts as health scare spreads, The Telegraph. see – https://www.telegraph.co.uk/news/uknews/1448109/Protesters-topple-mobile-phone-masts-as-health-scare-spreads.html

Either/Or

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Even Salon: Either/Or 

In Either/Or the principle of exclusivity undergoes détournement by a diverse range of invited participants. Either celebrate its brutal 2-state logic cutting across a stacked earth, or contest such sovereignty in precipitating each uncanny flip or flop glimpsed struggling against its slitted foreclosure. KISS!! In an evening of unemployable expenditure, from the trauma of the binary to its ontic co-constituency, Either/Or includes talks and performances by:

± Annabelle Stapleton-Crittenden
± Claude Heiland-Allen
± CODED GEOMETRY
± Daniel Rourke
± David Cunningham
± Jahan Nazeer
± Jamka
± Jennifer Boyd
± JeongEun Park
± Mari Ohno
± Ryo Ikeshiro
± Stephen Cornford

April 30th 2016
Doors open 7:30pm (’til late!)
Tickets £3
Apiary Studios, Hackney.

Full lineup details: http://even.org.uk/?even-salon-either-or
Apiary Studios: http://www.apiarystudios.org

The Hauntology of Technical Objects :: Hackney Séance

<< The Hauntology of Technical objects :: Hackney Séance >>

Date :: 26 April 2016

Time :: 10 pm

Meet  :: Bohemia Place, Hackney (Map)

Cities are haunted by ghosts. Past events linger within space. The subterranean Hackney Brook follows the path of the railway bridge as it flows under Mare Street. Bohemia Place, a small row of railway arches running to its left was the landing site of a second world war parachute mine, leaving a scar on the landscape that continues to effect the present.

Ghosts and spectres fascinated Friedrich Kittler.  He perceived electricity’s displacement of the dead from the book and into technically reproducible media. He found them within the disembodied voices of the radio broadcasts and made the claim that ghosts, a.k.a. media, cannot die at all (Kittler, 1999, p.130). Donna Haraway was aware that, Pre-cybernetic machines could be haunted; there was always the spectre of the ghost in the machine. This dualism structured the dialogue between materialism and idealism that was settled by a dialectical progeny, called spirit or history, according to taste. (Haraway, 1991, p.152). Kittler’s invoking of ghosts is coupled with his construction of comprehensive media genealogies that link contemporary technologies to a technological a priori, often rooted within in the battlefields of world war n+1, but making its presence known in the technological everyday of the present. The spectres in Kittler’s genealogies are not those of humans; they are autonomous technological spectres that form their own anti-humanist hauntings.

Join us for a séance that ritualistically linked the site of a second world war bomb, the intersection of the underground Hackney Brook and the railway bridge passing over Mare Street and the technological ghosts haunting the Oystercard readers at Hackney train station.

neurofeedback

CODED GEOMETRY :: Dark Side of the Earth

CODED GEOMETRY will collaborate in an experiment with the Indigo Mind Project.  A brain-computer interface that reads fluctuating electro-encephalograph (EEG) signals and maps them to compose a multilayered soundscape.

CODED GEOMETRY will explore nonlinear neuro-feedback and affective responses through a complex circuit of interchange, both responding to the soundscape being produced by the participants psycho-physiological state but also by affecting the participants psycho-physiological state through the projected images of a live digital drift through the glitchy, militarised and contested space of GIS satellite imaging.

The experiment will take place on Wednesday 23rd March from 6pm -8pm

Emotion lab,
Docklands Campus,
University of East London

Part of: Affect and Social Media Symposium & Sensorium exhibition.

Searching for the Cloud

CODED GEOMETRY : Searching For The Cloud

<<< Searching For The Cloud >>>

Date :: Monday 25th January 2016

Time :: 10 am

Meet Outside :: Curry Hut, Unit 10, The Arcade, Chrisp street market, Poplar, London, E14 6AQ (Map)

CODED GEOMETRY >>> Will cross the physical and psychic barrier separating working class Poplar from Docklands luxury lifestyles in search of the material traces of the CLOUD >>> The ephemeral code word for the return of technological centralism and the corporate enclosure of the internet.

CODED GEOMETRY >>> Seize the means of production of physical and virtual SPACE >>> STOP CLASS CLEANSING!!!