A morse signal light was situated near the top of a 27-storey brutalist housing block in Poplar, East London. Real-time “lonely” tweets, twitter expressions of loneliness and isolation, were extracted from twitter and rebroadcast in Morse code from the signal light.

OCTOBER 23RD 2012  PARASITE :SHELLEY PARKER HOSTS : " "[sic] TIM GOLDIE & JOHN WILD 

‘Drone Planes Over Westfield’, responds to the paranoia that surrounded the London Olympics, as anti-aircraft missiles were stationed on the top of East London tower blocks.

PARASITE : NINA POWER HOSTS : " "[sic] Tim Goldie & John Wild BROADCAST JUlY 24th 2012

PARASITE : ROBIN BALE HOSTS : " "[sic] TIM GOLDIE & JOHN WILD

JUlY 3rd 2012 PARASITES : IAIN SINCLAIR & BILL PARRY-DAVIES HOSTS : " "[sic] TIM GOLDIE & JOHN WILD

JUNE 19th 2012 PARASITE: MARTIN HOWSE HOSTS : " "[sic] Tim Goldie & John Wild & RACHEL BAKER & DJ ROLLER

The Olympics are a transitory phenomenon - a short-lived occurrence imposing castle-like structures and stretching Time over a period of three weeks with an almost infinite collection of mediatic loops. But the legacy of this transitory state is permanent on the cityscape while its mediatic and political culminations will be repeated in four years time somewhere else. The Games do not belong to any nation states. They amplify power. They boost the flux. The stadium is an ellipse of power and its body a gigantic coil. It is as if the Temple was rebuilt every four years since its last destruction in 70 AD. There is also a profound difficulty in voicing any discontent or noise around the Zone of Influence carved out by the heavily securitised Temple -  YOU COULD BE HEXED.

MAY 29th 2012 PARASITE: PAT THOMAS HOSTS : " "[sic] Tim Goldie & John Wild

MAY 15th 2012 PARASITE: PAT THOMAS HOSTS : " "[sic] Tim Goldie & John Wild

PARASITE : TAI SHANI HOSTS : " "[sic] Tim Goldie & John Wild

An image of 10 Rushton Close - a house buried by traumatic events - is decomposing. Over a period of 3 weeks a photograph of 10 Ruston Close, formally 10 Rillington Place, will be both projected at Great Western Studios and available online at 10-ruston-close.com. Each time the image is viewed, either online or within the space, a single pixel will be destroyed and it will be recompressed in the jpeg format causing the image to decompose.

stolen.data/confessions was an installation presented at [brutalizer] on 30.10.2010. The installation consisted of a large screen and an arcade joystick mounted on an illuminated Perspex plinth. Projected on the screen was a scrolling database dump stolen from an intimate dating website. The data scrolled up the screen at a speed that allowed some words to be picked out but was too fast to comfortably read the whole text. The Joystick allowed viewers to slow down and read the personal data.